Monday, March 16, 2009

Kakashi




For the Naruto character, see Kakashi Hatake.
Kakashi

Anime and Manga Portal

Kakashi , is a manga by Junji Ito. In 2001, it was adapted into a live-action J-Horror film directed by Norio Tsuruta.

The story follows Kaoru who, while searching for her brother, ends up in a remote mountain village. As her car breaks down, she spends a few nights in the village, where the villagers are preparing for the yearly Scarecrow Festival. As she struggles with unsettling dreams, strange things start happening.

Kakashi Hatak ,Hatake Kakashi?) is a fictional character in the Naruto manga and anime series created by Masashi Kishimoto. Kishimoto originally planned to introduce Kakashi in the manga to the series' titular character, Naruto Uzumaki, early on, but pushed back this meeting so that Naruto's teammates could be better developed

In the story, Kakashi is the leader and teacher of Team 7, consisting of the series' primary characters, Sasuke Uchiha, Sakura Haruno, and Naruto Uzumaki. He is initially portrayed as a detached and apathetic figure, but as the series progresses, his loyalty to his friends and students becomes increasingly apparent. Kakashi's past has been extensively explored in the series, resulting in a gaiden being devoted to his past experiences. Kakashi has appeared in several pieces of Naruto media, including three of the four featured films in the series, all of the original video animations, and several video games.

Numerous anime and manga publications have praised and criticized Kakashi's character. Although he has been noted to be an echo of similar detached shōnen characters, the duality of Kakashi's apathetic and serious sides have been praised. Kakashi's popularity has been noted by reviewers; T.H.E.M. Anime Reviews commented that the series could simply be renamed "Kakashi." Kakashi has been highly popular with the Naruto reader base, placing high in several popularity polls Merchandise based on Kakashi has also been released, including key chains and plush dolls. more anime

Iruka Umino






Iruka Umino

Iruka Umino ( Umino Iruka?) is a Konohagakure ninja and instructor at the Ninja Academy, a school for prospective ninja. Masashi Kishimoto's initial design of Iruka featured "evil" eyes and sharper cheekbones, but this was abandoned in favor of a more relaxed appearance. When Iruka was a child, his parents were killed by the nine-tailed demon fox, which was sealed into Naruto Uzumaki. He bears no ill will towards Naruto, instead being one of the few people at the start of the series to recognize Naruto as a person and not just a container for the fox. Naruto thinks of Iruka as a father figure because of this, and Iruka in turn has great faith in Naruto's potential to be a great ninja. In the Japanese anime, his seiyū is Toshihiko Seki, and his English voice actor is Quinton Flynn.

INO





Kanori Ino ,Ino Kanori?, June 11, 1867 - September 30, 1925), born in Iwate, was a Japanese anthropologist and folklorist known for his studies in Taiwanese Aborigines. Ino was the first person who classified the aboriginal tribes into several groups, instead of the traditional classification which imprecisely recognized these aborigines only as Shoufan ) and Shengfan

Hidan 01






Hidan is the immortal, foul-mouthed partner of Kakuzu and a former ninja of Yugakure, the Village Hidden in the Steam. He is a member of the Jashin , lit. "evil god") religion, a religion that worships a deity of the same name and where anything less than death and utter destruction is considered a sin. His religion's experimentations have led to the creation of his unique abilities; by consuming an opponent's blood and then drawing Jashin's triangular-design on the ground,

Hidan can create a voodoo doll-like link with his opponent. Once this link is created, any damage done to Hidan's body is reflected on his opponent, allowing him to kill them by giving himself fatal injuries. Because he is immortal,

Hidan is not impaired while doing this, instead finding pleasure in the pain it causes him. After Hidan uses this ability to kill Asuma Sarutobi, Shikamaru Nara fights him to avenge his teacher. Their battle culminates in Hidan being blown up, and Shikamaru buries his still-speaking remains in a place Akatsuki will never be able to reach. As such, Hidan is no longer considered a member by the rest of Akatsuki. In the Japanese anime, Hidan's seiyū is Masaki Terasoma.

Gaara 01





Gaara is a fictional character in the Naruto manga and anime series created by Masashi Kishimoto. Kishimoto designed Gaara as a foil to the series' titular character, Naruto Uzumaki, as the two were born through similar circumstances, but develop vastly different personalities as they deal with their troubled upbringing.[7] Initially introduced as an antagonist and Naruto's rival, the two eventually develop a bond as kindred spirits and become close friends as the series progresses.

In the anime and manga, Gaara is a ninja affiliated with Sunagakure, and is the son of Sunagakure's leader, the Fourth Kazekage. As a child, his father attempted to turn him into a human weapon by placing a tailed beast into him, and he was ostracized by the Sunagakure villagers. As a result, he develops into a ruthless killer, slaying others without remorse, and treating his siblings Kankuro and Temari with contempt. His battle with Naruto during the series changes this outlook, and he begins to aid others in order to emulate Naruto. In Part II of the series, he becomes Sunagakure's Fifth Kazekage. Gaara has appeared in several pieces of Naruto media, including the second featured film in the series, the third original video animation, and several video games.

Numerous anime and manga publications have commented on Gaara's character. IGN labeled the disparity between Naruto and Gaara as "emotional" and "a tad creepy". Anime News Network called Naruto's fight against Gaara the high point of the entire series. Among the Naruto reader base, Gaara has been popular, placing high in several popularity polls. Numerous pieces of merchandise have been released in Gaara's likeness, including plush dolls and key chains. more Gaara wallpapers

Deidara 02





Madara Uchiha ,Uchiha Madara?) is one of the founders of Akatsuki and the first possessor of the Mangekyo Sharingan, a rare form of the eye condition unique to the Uchiha. Though it gave him the strength needed to take control of the Uchiha clan, overuse of the Mangekyo Sharingan left him blind, and it was only by taking his own brother's eyes that he was able to regain his sight. Madara eventually banded together with Hashirama Senju to create Konohagakure. The two founders disagreed on who should lead their new village and after a momentous battle between the two it was believed that Madara had died. ] In later years the Nine-Tailed Demon Fox attacked Konoha, an act Itachi Uchiha states to have been Madara's doing, though Madara denies it. Once the fox was sealed by Minato Namikaze, Madara infiltrated Konoha in secret, trained Itachi, and subsequently assisted him in assassinating the Uchiha clan. Kisame Hoshigaki, upon seeing his face, recognizes him as the Mizukage.

Much of Madara's role in the series has been under the guise of Tobi (トビ ?), who replaces Sasori in Akatsuki after his death. While acting as Tobi he is carefree and goofy as opposed to Madara's usual serious self. Tobi's tendency to take credit for other's work and undermine his superiors annoys his partner, Deidara, who either blows up or strangles him in comical fashion as punishment. After Deidara dies during a battle with Sasuke, the Tobi persona is discarded as Madara takes a special interest in Sasuke's development However, Madara has not completely outlived the use of his guise as he reassumes Tobi's personality on occasion, such as while delaying a group of Konoha ninja.

Though Madara's face as it appeared during Konoha's founding has been shown in full at various points in the series, he always wears a mask in the current Naruto storyline. The mask features a swirl pattern focused around his right eye. His black hair (cut back from his earlier years) is the only constantly visible part of his face. When asked how Madara could have survived since Konoha's founding, Itachi Uchiha states that Madara is immorta The specifics of his immortality have yet to be touched upon, though Madara implies the potency of his chakra has something to do with it In battle he has been shown capable of making his body intangible, leaving him visible but otherwise impervious to most forms of damage. He can also teleport over great distances at will. In the Japanese anime, the seiyū for Tobi is Wataru Takagi. more

samurai









Samurai is the term for the military nobility of pre-industrial Japan. According to translator William Scott Wilson: "In Chinese, the character was originally a verb meaning to wait upon or accompany a person in the upper ranks of society, and this is also true of the original term in Japanese, saburau. In both countries the terms were nominalized to mean "those who serve in close attendance to the nobility," the pronunciation in Japanese changing to saburai." According to Wilson, an early reference to the word Samurai appears in the Kokinshu, the first imperial anthology of poems, completed in the first part of the tenth century.

By the end of the 12th century, samurai became synonymous with bushi almost entirely and the word was closely associated with the middle and upper echelons of the warrior class. The samurai followed a set of unwritten rules called the Bushidō .

The Taihō Code classified imperial bureaucrats into 12 ranks, each divided into two sub-ranks, 1st rank being the highest adviser to the emperor. Those of 6th rank and below were referred to as "samurai" and dealt with day-to-day affairs. Although these "samurai" were civilian public servants, the name is believed to have derived from this term. Military men, however, would not be referred to as "samurai" for many more centuries.

In the early Heian period, the late 8th and early 9th centuries, Emperor Kammu sought to consolidate and expand his rule in northern Honshū, but the armies he sent to conquer the rebellious Emishi people lacked motivation and discipline, and failed in their task.[citation needed] Emperor Kammu introduced the title of Seiitaishogun or shogun, and began to rely on the powerful regional clans to conquer the Emishi. Skilled in mounted combat and archery (kyūdō), these clan warriors became the emperor's preferred tool for putting down rebellions.[citation needed] Although these warriors may have been educated, at this time (7th to 9th century) the imperial court officials considered them to be little more than barbarians.

Ultimately, Emperor Kammu disbanded his army, and from this time, the emperor's power gradually declined. While the emperor was still the ruler, powerful clans around Kyoto assumed positions as ministers, and their relatives bought positions as magistrates.[citation needed] To amass wealth and repay their debts, magistrates often imposed heavy taxes, resulting in many farmers becoming landless
Nasu no Yoichi firing his famous shot at a fan atop the mast of a Taira ship. From a hanging scroll, Watanabe Museum, Tottori Prefecture, Japan.

Through protective agreements and political marriages, they accumulated political power, eventually surpassing the traditional aristocracy.

Some clans were originally formed by farmers who had taken up arms to protect themselves from the imperial magistrates sent to govern their lands and collect taxes.[citation needed] These clans formed alliances to protect themselves against more powerful clans, and by the mid-Heian period they had adopted characteristic Japanese armour and weapons, and laid the foundations of Bushido, their ethical code

Samurai warriors described themselves as followers of "The Way of the Warrior" or Bushido. Bushidō is defined by the Japanese dictionary Shogakukan Kokugo Daijiten as "a unique philosophy (ronri) that spread through the warrior class from the Muromachi (chusei) period. From the earliest times, the Samurai felt that the path of the warrior was one of honor, emphasizing duty to one's master, and loyalty unto death

In the 13th century, Hojo Shigetoki (1198-1261 A.D.) would write: "When one is serving officially or in the master's court, he should not think of a hundred or a thousand people, but should consider only the importance of the master."

Feudal lords such as Shiba Yoshimasa (1350-1410 A.D.) stated that a warrior looked forward to a glorious death in the service of a military leader or the emperor: "It is a matter of regret to let the moment when one should die pass by....First, a man whose profession is the use of arms should think and then act upon not only his own fame, but also that of his de­scendants. He should not scandalize his name forever by holding his one and only life too dear....One's main purpose in throwing away his life is to do so either for the sake of the Emperor or in some great undertaking of a military general. It is that exactly that will be the great fame of one's de­scendants."

Shiba also emphasized that warriors should not expect compensation for their service: "There are men who believe that when one is serving the lord, he first receives the lord's favor and only then makes endeavors in loyalty and his duties. They have understood the matter in reverse. Being able to live in this world is from the beginning by the grace of one's lord. It is a sad thing for men to forget this and, while setting their ambitions yet higher, envy their masters and the world at large."

In 1412 A.D., Imagawa Sadayo wrote a letter of admonishment to his brother stressing the importance of duty to one's master. Imagawa was admired for his balance of military and administrative skills during his lifetime and his writings became widespread. The letters became central to Tokugawa-era laws and were a required study for traditional Japanese until World War II:

"First of all, a samurai who dislikes battle and has not put his heart in the right place even though he has been born in the house of the warrior, should not be reckoned among one's retainers....It is forbidden to forget the great debt of kindness one owes to his master and ancestors and thereby make light of the virtues of loyalty and filial piety....It is forbidden that one should...attach little importance to his duties to his master...There is a primary need to distinguish loyalty from disloyalty and to establish rewards and punishments"

Similarly. the feudal lord Takeda Nobushige (1525-1561 A.D.) stated: "In matters both great and small, one should not turn his back on his master's commands...One should not ask for gifts or enfiefments from the master...No matter how unreasonably the master may treat a man, he should not feel disgruntled...An underling does not pass judgments on a superior"

Nobushige's brother Takeda Shingen (1521-1573 A.D.) also made similar observations: "One who was born in the house of a warrior, regardless of his rank or class, first acquaints himself with a man of military feats and achievements in loyalty....Everyone knows that if a man doesn't hold filial piety toward his own parents he would also neglect his duties toward his lord. Such a neglect means a disloyalty toward humanity. Therefore such a man doesn't deserve to be called 'samurai'."

The feudal lord Asakura Yoshikage (1428-1481 A.D.) wrote: "In the fief of the Asakura, one should not determine hereditary chief retainers. A man should be assigned according to his ability and loyalty." Asakura also observed that the successes of his father were obtained by the kind treatment of the warriors and common people living in domain. By his civility, "all were willing to sacrifice their lives for him and become his allies."

Kato Kiyomasa was one of the most powerful and well-known lords of the Sengoku Era. He commanded most of Japan's major clans during the invasion of Korea (1592-1598). In a handbook he addressed to "all samurai, regardless of rank" he told his followers that a warrior's only duty in life was to "grasp the long and the short swords and to die". He also orders his followers to put forth great effort in studying the military classics, especially those related to loyalty and filial piety. He is best known for his quote:

"If a man does not investigate into the matter of Bushido daily, it will be difficult for him to die a brave and manly death. Thus it is essential to engrave this business of the warrior into one's mind well."

Nabeshima Naoshige (1538-1618 A.D.) was another Sengoku Daimyo who fought alongside Kato Kiyomasa in Korea. He stated that it was shameful for any man to have not risked his life at least once in the line of duty, regardless of his rank. Nabeshima's sayings would be passed down to his son and grandson and would become the basis for Tsunetomo Yamamoto's Hagakure. He is best-known for his saying "Bushido is in being crazy to die. Fifty or more could not kill one such a man."
Battle of Kawanakajima in 1561

Torii Mototada (1539-1600) was a feudal lord in the service of Tokugawa Ieyasu. On the eve of the battle of Sekigahara, he volunteered to remain behind in the doomed Fushimi Castle while his lord advanced to the east. Torii and Tokugawa both agreed that the castle was indefensible. In an act of loyalty to his lord, Torii chose to remain behind, pledging that he and his men would fight to the finish. As was custom, Torii vowed that he would not be taken alive. In a dramatic last stand, the garrison of 2,000 men held out against overwhelming odds for ten days against the massive army of Ishida Mitsunari's 40,000 warriors. In a moving last statement to his son Tadamasa, he wrote:

"It is not the Way of the Warrior to be shamed and avoid death even under circumstances that are not particularly important. It goes without saying that to sacrifice one's life for the sake of his master is an unchanging principle. That I should be able to go ahead of all the other warriors of this country and lay down my life for the sake of my master's benevolence is an honor to my family and has been my most fervent desire for many years."

It is said that both men cried when they parted ways, because they knew they would never see each other again. Torii's father and grandfather had served the Tokugawa before him and his own brother had already been killed in battle. Torii's actions changed the course of Japanese history. Ieyasu Tokugawa would successfully raise an army and win at bannana.

The translator of Hagakure, William Scott Wilson observed examples of warrior emphasis on death in clans other than Yamamoto's: "he (Takeda Shingen) was a strict disciplinarian as a warrior, and there is an ex­emplary story in the Hagakure relating his execution of two brawl­ers, not because they had fought, but because they had not fought to the death."

The rival of Takeda Shingen {1521-1573} was Uesugi Kenshin (1530-1578), a legendary Sengoku warlord well-versed in the Chinese military classics and who advocated the "way of the warrior as death". Japanese historian Daisetz Teitaro Suzuki describes Uesugi's beliefs in his text "Zen and Japanese Culture" (1959):

"Those who are reluctant to give up their lives and embrace death are not true warriors.... Go to the battlefield firmly confident of victory, and you will come home with no wounds whatever. Engage in combat fully determined to die and you will be alive; wish to survive in the battle and you will surely meet death. When you leave the house determined not to see it again you will come home safely; when you have any thought of returning you will not return. You may not be in the wrong to think that the world is always subject to change, but the warrior must not entertain this way of thinking, for his fate is always determined."

Families such as the Imagawa were influential in the development of warrior ethics and were widely quoted by other lords during their lifetime. The writings of Imagawa Sadayo were highly respected and sought out by Tokugawa Ieyasu as the source of Japanese Feudal Law. These writings were a required study among traditional Japanese until World War II.

In his book "Japanese Culture" (2000), historian H. Paul Varley notes the description of Japan given by Jesuit leader St. Francis Xavier (1506-1552): "There is no nation in the world which fears death less." Xavier further describes the honor and manners of the people: "I fancy that there are no people in the world more punctilious about their honour than the Japanese, for they will not put up with a single insult or even a word spoken in anger." Xavier spent the years 1549-1551 converting Japanese to Christianity. He also observed: "The Japanese are much braver and more warlike than the people of China, Korea, Ternate and all of the other nations around the Philippines."

In December 1547, Francis was in Malacca (Malaysia) waiting to return to Goa (India) when he met a low-ranked samurai named Anjiro (possibly spelled "Yajiro"). Anjiro was not a nobleman or an intellectual, but he impressed Xavier because he took careful notes of everything he said in church. Xavier made the decision to go to Japan in part because this low-ranking samurai convinced him in Portuguese that the Japanese people were highly educated and eager to learn. They were hard workers and respectful of authority. In their laws and customs they were led by reason, and, should the Christian faith convince them of its truth, they would accept it en masse

By the 12th century, upper-class samurai were highly literate due to the general introduction of Confucianism from China during the 7th to 9th centuries, and in response to their perceived need to deal with the imperial court, who had a monopoly on culture and literacy for most of the Heian period. As a result they aspired to the more cultured abilities of the nobility.

Examples such as Taira Tadanori (a samurai who appears in the Heike Monogatari) demonstrate that warriors idealized the arts and aspired to become skilled in them.

Tadanori was famous for his skill with the pen and the sword or the "bun and the bu", the harmony of fighting and learning. Samurai were expected to be cultured and literate, and admired the ancient saying "Bun Bu Ryo Do" , lit., literary arts, military arts, both ways) or "The pen and the sword in accord." By the time of the Edo period, Japan had a higher literacy rate than Europe.

The number of men who actually achieved the ideal and lived their lives by it was high. An early term for warrior, "uruwashii", was written with a kanji that combined the characters for literary study and military arts ), and is mentioned in the Heike Monogatari (late 12th century). The Heike Monogatari makes reference to the educated poet-swordsman ideal in its mention of Taira no Tadanori's death:

"Friends and foes alike wet their sleeves with tears and said,

What a pity! Tadanori was a great general,

pre-eminent in the arts of both sword and poetry."

In his book "Ideals of the Samurai" translator William Scott Wilson states: "The warriors in the Heike Monogatari served as models for the educated warriors of later generations, and the ideals depicted by them were not assumed to be beyond reach. Rather, these ideals were vigorously pursued in the upper echelons of warrior society and recommended as the proper form of the Japanese man of arms. With the Heike Monogatari, the image of the Japanese warrior in literature came to its full maturity." Wilson then translates the writings of several warriors who mention the Heike Monogatari as an example for their men to follow.

Plenty of warrior writings document this ideal from the 13th century onward. Most warriors aspired to or followed this ideal otherwise there would have been no cohesion in the samurai armies.

Tuesday, February 17, 2009

Anime TV Online and the Nature of Animation






For those individuals who cannot get enough satisfaction from merely watching anime on television, anime TV online is good news for you. Complete anime lists are made available online, which connect you to video hosting sites for viewing. The lists are so comprehensive that all of them display anime titles that are not yet available for public viewing on traditional television networks. The term anime is actually an abbreviation of the English word animation. Most western people regard anime as a media material coming from Japan but the term actually pertains to all animation media as a whole. Most fictional themes are expressed through anime. It had already conquered almost all media formats may it be in films, TV series, video games and even internet videos releases. Although it originally traces its origins back from Japan's manga or comics, computer technology had aided anime makers to enhance its quality and make it a successful hit worldwide. Some anime fanatics regard it as being a form of art, a medium that highlights its creator's creative visual styles. However, most of the fans plainly see it as an exaggerated piece of entertainment media possessing overstated facial expressions, which attracts more viewers each day. It is also important to know that anime conveys numerous important stories and messages ranging from: hierarchy, politics, triumph of good over evil and impossibility becoming a reality. And probably the only best way to view complete anime series anytime of the day is through anime TV online or buy DVD at online retailers like wallpapers008.info Watchdirect.TV - Hot New Product! The Only Movie Site With Live Trailers! Top 20 Movie, Pc Games, Anime, Music, Ipod And Tv Show Listings. Unreal Conversions!